How To Make Digital
Slide Shows
by Scott Bourne
I know you've experienced it too. You're at a photo convention
or camera club meeting and you're anxiously awaiting the slide presentation
from a prominent guest lecturer. The lights go down and the first slide pops up
on the screen---upside down. The second slide pops up and the presenter says
something like, "Oh that's out of order, that is supposed to be number three!"
Then the next slide fails to appear at all followed by, you guessed it, another
upside down slide. Add to that the typical focus problems and trouble syncing
the music. Sound familiar?
This really amazes me. After all, if a bunch of photographers
who work with slides every day have all this trouble making a slide
presentation, what happens when Grandma fires up her slide projector at home to
re-live the glory of her old 1961 Caddy?
For Mac users, polished, glitch-free presentation technology is
available. The solution is called iMovie. All you need is:
*Any Apple computer (Starting at $499)
*iMovie software (Included free on all new Macs)
*Scanned images or raw digital files
*Music CDs (Or Garage Band, part of the iLife Suite)
*A way to show the movie
It's easy and versatile.
That's right it is easy! Using iMovie you can import still
images, determine how long each image appears on screen, insert transitions
between images, and set the whole piece to music. Best of all, you can play the
slide show on the Web, on any Mac or PC outfitted with a copy of QuickTime
Player or record it to video via Firewire and make VHS or CD video dubs for
your friends.
SETTING UP
You need an iMac or other G4/G5 Mac with a copy of iMovie. I
suggest running iMovie on a computer with a minimum of 256 Megs of RAM and 20
Megs of hard disk space. If you can get more, that's even better. With iMovie,
or any non-linear editing software, memory and hard disk space are prime
concerns. Video (even if it is of stills) eats hard disk space like crazy!
Also make sure that you have your monitor resolution set to
800x600 or 1024x768. The higher the monitor resolution, the sharper your iMovie
will be. Most importantly DO NOT set your monitor resolution to 640x480, as
this will frequently cause iMovie to lock up.
Also very important if you want iMovie to run smoothly: 1. Turn
off your Energy Saver control panel 2. Turn Virtual Memory OFF
ADDING IMAGES
When you have decided what images you want to put into your
production, you can capture them into iMovie in a number of ways. Assuming you
have a digital camera, you need only transfer the images in .jpeg, .GIF, BMP or
.pict format to the computer, then load them into iMovie. If your digital
camera permits it, be sure to set it to capture at 72 or 96 DPI. Since nearly
all monitors are incapable of seeing any more resolution than 96 DPI, it is a
waste of time and space to capture at a higher rate. Also make sure to set your
camera's gamma according to how you want to display your images. Use 1.8 for
PCs and 2.2 for Macs.
If you have images already stored on your hard disk, the most
effective way to convert them is to bring them into Photoshop, add a black
border around the image. You can easily do this with the canvas size command. I
just add a standard one-half inch border to each image. I then resize the image
to 640 pixels wide (Make sure the height is 480 or less.) at 96 dpi and save it
as a high quality .jpeg. You may also want to bump up your color saturation in
each image since the conversion can flatten out the luminance of your images. I
typically add about three points of saturation but experiment to get best
results.
With that chore done, open iMovie and use the import command to
bring in any or all the images you want. iMovie allows you to set a default
that controls how long each image will stay on the screen during the show. I
selected six seconds for my stills. iMovie puts all the images on a kind of
clipboard. You simply drag the images down onto the timeline in the order that
you want to present them, and you are one fourth of the way home. The next step
is to create any titles that you may want to use for your movie. At a minimum,
you may want an opening title screen with the name of your show. At the end,
include a credits screen that shows who you are, your copyright notice and
anything else you want to include about you or your show.
Next, you will need to create transitions so that the show moves
smoothly from one slide to the next. I like the cross-dissolve transition best,
but whichever you choose, resist the temptation to use every funky transition
iMovie ships with. Just because it is there doesn't mean you have to use it.
Less is more in this department.
The final step before saving your slide show/movie is to add
music. The web is full of places to download royalty-free music to accompany
your show. Try www.mp3.com for a start. The iMovie software also ships with
some basic music that is free for you to use, and Apple offers more music
downloads at its web site, www.apple.com. You can also use the cool new Apple
program called Garage Band to make your own music. Garage Band is included with
iMovie in the iLife Suite.
The entire mix is then saved to a digital video camera via
Firewire or to a QuickTime movie on your hard disk. Once that's done, you can
hook up any standard VHS player to your video camera's AV out and record the
movie back to VHS for distribution or you can burn DVDs using Apple's iDVD,
also part of the iLife Suite. iMovie also allows you to save movies to CD-ROM
and for the Web. Apple's iMovie is so easy to use that you won't even need a
manual. I was up and running in minutes.
CONCLUSION
Apple has a hit with iMovie. While Apple never envisioned
photographers would use iMovie to create digital slide shows, that is exactly
what they are doing. And the results are stunning.
If you're tired of making excuses for a poor slide projector or
trying to figure out which side of your transparency faces the screen, use
iMovie. On your first try, you will probably end up with the most successful
slide show of your life.
For more information go to www.apple.com.
Article Copyright 2005, Scott Bourne - Photofocus Magazine
About the Author
Scott Bourne is the author of "88 Secrets to Selling &
Publishing Your Photography" and "88 Secrets to Photoshop for Photographers."
Both are available from Olympic Mountain School Press,
http://www.mountainschoolpress.com His work has also
appeared in books, magazines, galleries, calendars, on greeting cards, web
sites and on posters.
Scott is a professional photographer, author, teacher and
pioneer in the digital imaging field. His career started in the early 70s as a
stringer covering motor sports for Associated Press in Indiana. Since then, he
has shot commercial, portrait, wedding, magazine and fine art assignments. His
new passion is wildlife photography.
Scott regularly lectures on a variety of photo and media-related
subjects. He's appeared on national television and radio programs and has
written columns for several national magazines. He is the publisher of
Photofocus.com, an online magazine for serious photographers and also serves as
the executive director of the Olympic Mountain School of Photography in Gig
Harbor, WA.
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